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To Win in Streaming Media Services, Get Clever with Data

AI Video Technology

­­­ Verizon could be the latest to enter the fray in the well-populated streaming media services market. This summer, the telecommunications giant has potential plans to launch a new Netflix competitor. But there’s a problem: according to Derek O’Donnell, senior research analyst at Gartner, the average limit for subscriptions to online streaming services is three, and

The post To Win in Streaming Media Services, Get Clever with Data appeared first on Streaming Video Blog .

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Contextual Video Advertising: Why It Matters and How AI Can Help

AI Video Technology

Have you ever watched a sad movie on TV that was suddenly interrupted by an upbeat, loud ad? How did it make you feel? Did you suddenly find yourself switching gears emotionally? Did the ad seem jarring and inappropriate? Did you wind up resenting the advertiser? There’s ample evidence to back up the belief that

The post Contextual Video Advertising: Why It Matters and How AI Can Help appeared first on Streaming Video Blog .

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What the Big Game Might Have Looked Like with Watson

AI Video Technology

While the audience for the biggest football event of the year—111 million strong—was on par with previous broadcasts, the game itself posted its lowest ratings in the past three years. Coming off of a less-than-stellar regular season, which saw a 9 percent drop in ratings, it’s safe to say that viewers felt something was lacking. One

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Netflix Q3 earnings: 31% revenue hike, 6.8M new subs

CMMA Blog

Netflix said Q3 earnings were up >31% Y/Y, its operating income doubled from a year ago, and it added 6.8 million new subscribers in the quarter—delighting Wall Street and driving its share price up some 10% in after-hours trading.

It was the OTT company’s first quarter of 30%-plus revenue growth in a year, providing it with the shot in the arm it needed after a lackluster Q2 and on the cusp of what is being seen as an escalation of the streaming wars as Apple Plus and Disney Plus streaming services get ready to launch.

The subscriber adds were the best Q3 the company has ever had, topping last year’s record 6.1 million adds. Netflix is forecasting 7.6 million additions in Q4, and now has more than 158.3 million paid subscribers globally.

U.S. paid net adds topped 500,000. Year-to-date paid adds in the U.S. are 2.1 million, compared to 4.1 million for the first nine months of 2018. Netflix said its price hike in the US has slowed US subscriber growth, but pointed out that U.S. ARPU is up 16.5% Y/Y.

Netflix Q3 earnings are a sign of market change

The results “clearly show a company that is now moving into a different operating phase,” said Paolo Pescatore, PP Foresight’s tech, media & telco analyst. “Netflix was the main player in town and around the world. Soon enough, it will be competing with big heavyweights in their own domains… While they are not direct competitors (with Disney and Apple), all will be fighting for viewers attention and their money.”

To continue to dominate in the space, Netflix will need to increase its revenue. And, it’ll have three avenues to do that:

  • Increase subscribers at a faster rate;
  • Increase prices; or
  • Diversify into new areas. 

Netflix said it will continue to focus on original content both because of the “anticipated pullback of second run content from some studios” and because its originals are driving member viewing and engagement.

It said Stranger Things Season 3 was the most watched season to date, with 64 million member households in its first four weeks.

Non-English original offerings: Push to grow

Netflix plans to expand its non-English language original offerings to help grow its penetration in international markets. In Q3, Season 3 of La Casa de Papel (aka Money Heist) became the most watched show on Netflix across non-English language territories, with 44 million households watching the new season in the first four weeks of release.

The streamer has released 100 seasons of local language, original scripted series from 17 countries and have plans for over 130 more.

Netflix said it expects to build its film effort in Q4, with releases including Martin Scorsese’s The Irishman (with Robert De Niro, Al Pacino, and Joe Pesci), Marriage Story (starring Scarlett Johansson and Adam Driver), and The Two Popes (featuring Anthony Hopkins and Jonathan Pryce).

Kudos to its low-price mobile plan in India

In July, Netflix trialed a lower-priced mobile plan in India, something it says has performed better than expected in a market that could prove to be a critical one in the competition-rich region.

“Uptake and retention on our mobile plan in India has been better than our initial testing suggested,” Netflix said in its letter to shareholders, which will allow it to invest more in Indian content. “While still only a very small percentage of our total subscriber base, we’re continuing to test mobile-only plans in other markets.”

Netflix also has expanded its partner-based bundle offerings, adding bundles with Sky Italia, Canal+ in France, KDDI in Japan, and Izzi in Mexico this quarter. It also has localized its service in Vietnamese, Hungarian, and Czech, vowing to continue to expand language coverage and accessibility.

Competition is the new name of the game

Netflix has acknowledged the potential for headwinds from the bevy of new services set to launch in the next several quarters in the US and globally.

“The launch of these new services will be noisy,” it said in the letter. “There may be some modest headwind to our near-term growth, and we have tried to factor that into our guidance. In the long-term, though, we expect we’ll continue to grow nicely given the strength of our service and the large market opportunity.”

The bottom line

So much has been made of the pending launches from Apple, Disney, NBCUniversal, and others, with some pundits warning Netflix’s sky soon would be falling.

What they don’t realize is that, as I’ve said before, what the flood of new services is more likely to do is accelerate the demise of liner TV, as more consumers embrace on-demand viewing. Because just as cable nets fragmented the broadcast audience from the Big 3 (and eventually, the Big 4) TV networks, so, too, will new streaming services continue to erode traditional linear TV audiences.

“We’ve been preparing for this new wave of competition for a long time,” Netflix said to its investors. “It’s why we started investing in originals in 2012 and expanded aggressively ever since—across programming categories and countries with an ambition to share stories from the world to the world.”

Stay tuned.

Ed. Note: This post first appeared on the Videomind blog.

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Brightcove achieves DPP security benchmarks

CMMA Blog

Brightcove is thrilled to announce that we have secured the Production and Broadcast marks within the Digital Production Partnership’s (DPP) Committed to Security programme. The DPP is a membership-based, not-for-profit organisation, formed jointly by UK broadcasters BBC, Channel 4, and ITV.  

Their vision was to help producers and broadcasters drive adoption of common standards for media interoperability, minimise the friction faced by content producers and distributors when working with broadcasters, and to create new market opportunities through cross-industry insight.

Since 2009, the DPP’s working groups, who draw from expertise across the broadcast, online media, and technology industries, have worked to include a common set of technical and metadata standards for digital TV production, share insight, and best practice methodologies for broadcast production across the industry.   

The DPP has grown considerably, to over 400 company, organisation, and individual members, and adoption of their programmes and standards is widespread throughout the global industry.

In October 2017, following considerable effort within the security working group, the DPP launched the Committed to Security programme, which is designed to help suppliers demonstrate their commitment to security best practices within their businesses. The programme provides a standardised industry approach to cybersecurity, and participants are assessed against a rigorous set of controls, focussed on two distinct industry themes; Production, and Broadcast.

The types of issues that these controls are designed to prevent include security compromise by external and local actors, failure to detect and act upon incidents, and service risk in the event of a catastrophic event. A few examples of requirements in the programmes are for Brightcove to adhere to internationally recognised standards for information assurance (such as SOX), to ensure all systems and services are subjected to (and pass) penetration testing, and that we have plans in place to maintain essential operations in case of an emergency

With broadcasters now adopting the controls within the DPP programme, and many mandating supplier/vendor compliance, it is vital for technology providers in the online video industry to demonstrate their ongoing commitment to system, data, and content security.

For more information on how Brightcove keeps your content delivery secure, click here .

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BBTV’s Channel 7HD Thailand streams live Muay Thai matches with Brightcove

CMMA Blog

Muay Thai, the national combat sport of Thailand, has found its niche on mobile. Bangkok Broadcasting & TV (BBTV) , the parent company of Channel 7HD Thailand recently launched MUAYTHAI7 , delivering live Muay Thai fights to fans around the world via a mobile app powered by Brightcove.

Tapping into a new revenue channel

BBTV’s Channel 7HD is one of the longest-running broadcasters in Thailand, airing Muay Thai fights since 1970. Every Sunday is prime time as hundreds of fans flock to the stadium to watch the fights live. By going mobile, MUAYTHAI7 has circumvented geographic limitations, expanded BBTV’s market share and unlocked an untapped revenue stream via paid subscriptions.

Combining live and VOD content for a richer experience

f705a5f1 43fd 4c1f b52d 901227d4dde1The MUAYTHAI7 app live streams fights from Channel 7’s stadium in downtown Bangkok, with English commentary as a means to engage non-Thai speaking audiences. The app also provides access to an online library of over 200 matches on demand. Channel 7 plans to retain subscribers by featuring additional content in between fights, such as training videos of the fighters, a VOD archive of fights from the last six months, and a gallery of super slow-mo highlights from past prime time fight rosters. The content on the mobile app is available through subscription video on demand (SVOD) after a 14-day trial period.

By using Brightcove Video Platform , BBTV’s Channel 7HD can now live stream matches across an intuitive interface, optimized for performance and quality at scale, and get industry-leading support before, during, and after their fights. The broadcaster can also deliver high-quality streams across multiple devices and platforms, as well as across the big screen by using Chromecast for Android and AirPlay for iOS.

MUAYTHAI7 is now available on iTunes App Store and Google Play .

 

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