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DigitalGlue Selected as Key Partner for Major US Sports League’s Advanced 3G-SDI 576×576 Router Installation

CMMA Blog

May 19, 2023 — DigitalGlue, a leading systems integration firm, has been selected as the System Integrator, on-site Project Manager, and Installer for a comprehensive 3G-SDI 576×576 Router installation for a Major US Sports League, partnering with a top international distribution service provider.

The new system is designed to provide a full suite of managed services that contribute to the main facility of the Sports League. Notably, it can facilitate the insertion of virtual advertising content for up to 66 program feeds, with downstream distribution to international broadcast partners. A portion of these feeds also includes standards conversion, further showcasing the flexibility and sophistication of this system.

In executing this ambitious project, DigitalGlue was entrusted with all facility cabling within the teleport facility. This included distribution equipment such as the patch bay, source capture, and record devices, and overseeing all cable assembly and installation.

Moreover, DigitalGlue was the exclusive provider for Project Management, Build Integration, and Build Integration Validation, carrying out these responsibilities in partnership with the Router manufacturer.

The project posed significant challenges, given its extensive requirements and tight timeline. Initial alterations to the design and subsequent finalization delays added further complexities. Despite initial design changes and finalization delays, DigitalGlue successfully navigated these challenges. Drawing from extensive experience with similar installation projects, the DigitalGlue team ensured the project was delivered on time and on budget.

Over a span of nine weeks, a crew of five DigitalGlue engineers worked to bring this project to life. The quality and professionalism of their work are evident in the time-lapse video below showcasing the project’s successful completion. If you are interested in discussing your next project with DigitalGlue, please get in touch with us at sales@digitalglue.com or call 877.822.4683.

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Recently Released MC-1 B4 to RF Lens Mount Receives RED Digital Cinema’s Prestigious Stamp of Approval

CMMA Blog

October 3, 2022 –  RED Digital Cinema is the leading manufacturer of professional digital cinema cameras, bringing cinema-grade images and performance to content creators everywhere. The recently released MC-1 B4 to RF lens mount enables broadcast organizations and houses of worship to adopt the latest cinema technology while maximizing their existing investment in professional B4 lenses. The mount is designed specifically for RED’s DSMC3 cameras including the RED V-RAPTOR and KOMODO’s multi-sensor formats and is sold exclusively by DigitalGlue at the low cost of $1,749. After rigorous testing by the RED engineering team to ensure it meets the highest level of required specifications, the MC-1 mount has officially been added to the list of  “RED Approved” third-party products.

The budget-friendly MC-1 mount, a 2022 Award of Excellence recipient at NAB, allows production teams to purchase or use a RED camera without needing a new lens, which is the most expensive part of the cinema camera assembly. Matthew Carman, Cinematographer and Creator of the MC-1, notes that “with the new MC-1 B4 to RF mount being available, it now gives RED shooters the largest selection of lens options on the market. From Wildlife to Sports we have everything covered in Broadcast Cinema.” The mount achieves HD 120 frames per second (fps) and UHD 60 fps on the RED KOMODO and HD 480 fps and UHD 240 fps on the RED V-RAPTOR by utilizing the built-in lens doubler while maintaining the lens’ zoom and aperture ranges. Now, broadcast organizations and houses of worship can achieve a broadcast cinematic look with upwards of 17 stops of dynamic range, smooth highlight roll-offs, and exceptional low-light performance. As an official RED systems integrator, DigitalGlue is able to quote and ship back-ordered RED cameras like the 6K KOMODO faster than buying retail.

Email sales@digitalglue.com or call 877.822.4683 today for a quote or to learn more about the RED Approved MC-1 mount. 

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DigitalGlue and Breakthrough Photography Develop Award-Winning First Pro B4 to RF Mount for the RED V-RAPTOR and KOMODO

CMMA Blog

Murrieta, CA – May 10, 2022 – DigitalGlue, in partnership with Breakthrough Photography, is excited to announce the release of the industry’s first professional B4 to RF lens mount designed specifically for RED Digital Cinema’s V-RAPTOR and KOMODO cameras multi-sensor formats. The new MC-1 mount enables broadcast organizations to adopt the latest cinema technology while maximizing their investment in professional B4 lenses. Acknowledging its impact on the media and entertainment industry, ProductionHUB selected the MC-1 B4 to RF mount as a 2022 NAB Show Award of Excellence recipient. DigitalGlue is an official RED Digital Cinemas systems integrator and can provide a complete packaged solution. 

The invention of the B4 to RF mount saves DigitalGlue customers money by allowing them to purchase and use a RED camera without needing new lenses which are the most expensive part of the cinema camera assembly. The MC-1 mount allows HD, 120 fps on the RED Komodo and UHD, 60 fps utilizing a lenses doubler all while maintaining the lens’ zoom and aperture ranges. The RED Raptor enables HD 240 fps and UHD 120 fps through the utilization of a lenses built-doubler. Now, Broadcast organizations can achieve a cinematic look with upwards of 17 stops of dynamic range, smooth highlight roll-offs, and exceptional low light performance. 

Additionally, the RED Komodo brings its cinema global shutter for the first time to the world of live broadcast. This advancement gives broadcasters the ability to shoot both live and recorded cinematic images, maximizing their current investment in broadcast B4 lenses with a single camera. The B4 Mount will also enable video teams to extend their overall investment in the RED Digital Cinema ecosystem by allowing them to utilize their existing RF and PL based lenses, extending the overall investment in the RED Digital Cinema ecosystem. To learn more or place an order, email sales@digitalglue.com or call 949.388.9078 and press 2 for sales. 

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Job Opening: DTV Transmitter Site Engineer

CMMA Blog

Job Category: 
Television Engineering/Technical Manager

Locations:  Tustin, CA. 92780, Mt. Wilson, CA. 91023

Contact: Please send resume to resume@digitalglue.com to apply

Job Summary

The Transmitter Site Engineer will oversee the maintenance and operations of the DTV transmitter equipment at the station and transmitter remote sites. The position requires not only experience in engineering and television station operations, but also proven experience in the ability to communicate complex information to broadcast staff.  The Site has solid-state transmitters, wireless internet STL, and the latest Burk remote control units for monitoring and control of sites.

Job Duties and
Responsibilities

  • Manages all aspects of
    the satellite uplink and terrestrial DTV station television transmitter
    operations.
  • Perform site
    inspections and maintenance and respond to off the air emergencies.
  • Provides timely/urgent
    response in resolving technical and operational problems including but not
    limited to on an off-air situations, equipment, and transmitter issues
    24/7/365.
  • Maintain,
    troubleshoot, install, and repair broadcast technical plant, equipment, and
    systems, including transmitters, related equipment, remote control, studio
    equipment, telephone, digital transmission of a multi-site facility as well as
    station equipment in station vehicles with little or no supervision.
  • Use Radio Frequency
    engineering knowledge to install, maintain, and repair all RF technical
    equipment in studio and transmitter facilities, including digital transmitting equipment,
    directional antenna system, Studio to Transmitter Links (STL), and satellite
    uplinks/downlinks, and microwave transmission systems.
  • Ensures station
    compliance with rules and regulations applicable to FCC, local, state, and
    federal, laws.
  • Implements recent
    technologies and technical infrastructure for the station.
  • Manages engineering
    and technology capital projects to the established budgets
  • Coordinates outside
    vendor services and maintains station equipment utilizing broadcast information
    technology systems.
  • Repairs and maintains
    station building infrastructures or collaborates with vendors and Facilities
    Department as needed.
  • Communicates with and
    coordinates equipment maintenance and training with vendors/contractors.
  • Have and utilize
    working knowledge of PC’s, networking, routers, switches, operating systems,
    network security and Microsoft applications software such as Word, Excel,
    Outlook, Access Database and PowerPoint.
  • Use comprehensive
    knowledge of basic electronic theory for troubleshooting to the system and
    boards to the component level where applicable.
  • Implement new
    engineering projects as needed.
  • Be a forward-thinking
    contributor to the station for the Engineering department. Anticipate and
    communicate future needs.
  • Responsible for the
    maintenance of all aspects of transmitter site, towers, and facility.
  • Document equipment and
    wiring systems, using software as well as manual drafting.
  • Maintain an accurate
    inventory of the equipment at the station, transmitter sites, and remote vehicles.
  • Attend Emergency Alert
    System committee meetings and follow local, state, and national discussions
    about public warnings
  • Perform other duties
    as assigned or needed.

Budgets and Capital

  • Develop, prepare, and
    implement operating and capital expense budgets and special projects.
  • Obtain and verify
    quotes for projects and/or recurring service by outside vendors and contractors
    as needed.
  • Recommend capital and
    expense purchases to Management.

Knowledge, Skills, and
Abilities
Must have:

  • Knowledge of FCC rules
    and regulations.
  • PC skills including
    proficiency with Microsoft Office applications; IT & Network skills on
    broadcast related, IP based applications, networking, hardware maintenance, and
    some programming.
  • Ability to work on
    both IP based broadcast equipment and legacy broadcast equipment
  • Strong troubleshooting
    skills.
  • Candidate must be motivated
    and enthusiastic about the Television Broadcast industry.
  • Ability to evaluate
    faulty electronic equipment and circuits to locate defects and apply knowledge
    of electronic systems to diagnose causes of malfunction and affect repairs
  • Ability to multitask
    and prioritize workload under deadlines in a demanding environment; can
    escalate appropriately.
  • Ability to read and interpret
    technical documentation and schematic diagrams.


Requirements

  • Associate Degree in Electronics, Communications, or equivalent combination of education and work-related experience preferred.
  • Minimum five years’ experience with a television broadcasting environment, preferably 1000kW elliptically polarized directional antenna experience.
  • Ability to provide clear and concise communication, both verbal and written.
  • Strong interpersonal, organizational skills, and willingness to assist others.
  • Ability to meet deadlines, prioritize assignments, and manage multiple tasks simultaneously.
  • Strong mindfulness and accuracy in all aspects of the position.
  • Ability to work extended hours, as needed i.e., weekend, evening and holidays.
  • Available for emergency response 24/7/365, as needed. Vacation/Sick relief is available.
  • Function as a responder for station disaster recovery.
  • Have valid state driver’s license, acceptable driving record.
  • A background check is required.

Other Transmitter Site
Engineer Duties and Responsibilities

  • Implement technical
    engineering directives from Senior Management.
  • Participate in budget
    preparation and policy, procedures, and goal setting.
  • Provide information to
    supervisors, co-workers, and subordinates by telephone, in written form,
    e-mail, or in person.
  • Confer with other
    departmental heads to coordinate activities.
  • Provide advice and
    assistance to senior management in the planning, implementation, and evaluation
    of modification to existing operations and procedures.
  • Monitor network
    communications for advisories concerning daily program schedules, program
    content, special feeds, or program changes.
  • Perform miscellaneous
    job-related duties as assigned or needed.

Physical Demands & Work Environment

  • Must be able to stand
    and sit for extended periods of time.
  • Must be able to
    frequently reach.
  • Must be able to occasionally
    climb.
  • Must be able to
    frequently work outdoors in all weather conditions and work indoors in
    environmentally controlled conditions.
  • Must be able to lift,
    operate and work on equipment weighing up to fifty pounds.

The above statements
are intended to describe the general nature and level of work being performed
by individuals assigned to this position. They are not intended to be an
exhaustive list of all duties, responsibilities, and skills required of
personnel so classified.

Please note that any job offer is contingent upon your providing verification that you have been fully vaccinated (at least 14 days have passed since receiving final dose of vaccine) against COVID-19. Job offers will be withdrawn (regardless of whether you have already signed) if this condition is not satisfied. Unless and until this step has been completed, you should not resign your current employment, otherwise alter your employment status, or alter any personal circumstances in reliance on a conditional offer. DigitalGlue is committed to providing equal opportunity and does not discriminate based on any characteristic protected by law. If there is a medical or religious reason you believe you cannot comply with this requirement, please discuss with Human Resources during your interview process. 

DigitalGlue believes that diversity contributes to a more enriched collective perspective and a better decision-making process. All qualified applicants will receive consideration for employment without regard to race, color, religion, gender, gender identity or expression, sexual orientation, national origin, genetics, disability, age, or veteran status, or any other characteristic protected by law. 

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DigitalGlue Expands 2022 Vendor Line Card with RED Digital Cinemas Partnership

CMMA Blog

Murrieta, CA – January 12, 2022 – DigitalGlue is excited to announce its partnership with RED Digital Cinema as an official systems integrator. DigitalGlue has been trusted by the world’s top content creators and distributors for 20 years as a technology partner and provider of video solutions. Beyond the addition of RED’s array of professional digital cinematography cameras and accessories, DigitalGlue will provide customers with curated workflow solutions that bring cinematic imagery to live productions. DigitalGlue’s innovative storage solution, creative.space, has the performance needed to handle the demanding 4K, 6K, and 8K video formats RED cameras require making the dynamic duo partnership the ideal workflow the industry has been waiting for.

With
the RED Digital Sensor’s cinematic look, 6K and 8K options, R3D RAW workflow,
and over 16 stops of dynamic range, creatives can immerse their audiences
deeper into their storytelling. The introduction of the RED KOMODO 6K digital
cinema camera makes filmic quality digital video capture affordable to a wider
range of organizations and use cases. The KOMODO provides expanded capture
options with the addition of a live 4K SDI video output. With both RAW and
ProRes internal capture, high-quality files can be captured in camera while the
4K output feed can be used for live production. After the event is over, the
high quality files can be used to remaster the event for long-term viewing.
With a new simplified RAW compression model, organizations can strategically
balance image quality and data rate. The KOMODO cinema camera is a unique
creative tool that can adapt to any kind of content.

Of
course with this increased capability comes an increased demand on storage and
creative.space is the best solution for the job. The entire server line-up,
from the portable //ROGUE PRO to the all-flash //BREATHLESS, is optimized for
real-time streaming of high-bandwidth video files associated with RED digital
cinema cameras.. DigitalGlue President, Sean Busby, states “the ability to
offer a very attractive discount on RED and creative.space packages will enable
teams of all sizes and budgets to optimize their workflow.” The creative.space
hardware and software platform allows teams to collaborate by connecting to the
same files locally or over the internet. RED media can be ingested directly
into the server using the on-board USB ports and the creative.space web app.
Each server also features built-in access control, an FTP server, and VPN
integration that enable both remote mounting for proxy-based video editing and
accelerated file transfers. The creative.space platform is the turnkey storage
solution for RED workflows and can save production teams time and money.

New
to RED? DigitalGlue team members Nick Anderson and Philip Grossman are
REDucation certified and ready to answer any and all questions on how to
optimize your workflow with RED and the creative.space platform.

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